Panel Title: The voice of Dalit
in South Asian Literature
Convenor: Aswini
Mishra, Utkal University, Bhubaneswar, India.
Friday
9 July, 8–128
Panel Abstract: Manusmriti, the first
document on jurisprudence in India strictly prohibits S.Cs (dalits)
from going through Vedas or even listening to its recitation. The
temples never welcome their steps. In spite of growing awareness
of the constitutional provisions (art 15 of Indian Constitution)
regarding bar on discretion basing on caste, religion, sex, race
and place of birth, the Indian scenario is never in its full proof
show so far to wipe out its stigma successfully from the society.
It is a blatant violation of article 15 (2b) of the constitution
which implies that caste shouldn’t serve as a plea for restricting
entry to places of public resort dedicated to the cause of general
public.
Silenced for ages together by social and economic exploitation the
S.Cs have been denied as yet proper entry into the making of literature
or of the performing arts. A life being disgraceful, they wished
not to be stifled in it any more. L.S Rokade a Marathi poet from
India came forward to speak candidly on this:
I spit on this great civilization
Is this land yours, mother
Because you were born here ?
Is it mine
Because I was born to you?
Another poet cries out ”in our nostrils, the
smell of food. In our stomachs, darkness. from our eyes, welling
up, streams of tears”. The struggle for human rights in South
Asia may be either on economic political. or social fronts. Such
exploited groups are there in Bangladesh, Sri Lanka, Pakistan, Afghanistan
and other places of this continent. In the past few years among
the literary achievements of Asia, there has been rousing awareness
of the emergence and assertion of the voice of S.Cs in Asian poetry.
A continuing dialogue reflecting the progressive vision of Asian
poetics may form the subject matter of discussion. The dalit writers
have now become familiar with the Black literary movement in U.S.A,
the voice of universal justice in the poems of leading poets in
Africa, South America and other places of the world. The critics
very often say ”thus society has become a vast congregation
of mutually praising and mutually honouring members. Flatterers
and sycophants have become entrenched in seats of Authority”.
They searched deep for words powerful enough to shock and awaken
the slumbering multitudes which out of selfish motives entered into
a compromise with the vested interests.
Paper Giver 1: Heinz
Werner Wessler, University of Bonn, Germany
Paper 1 Title: A Mlecch
Perspective on Contemporary Hindi Dalit Literature
Paper Abstract: Current literary activity in the Hindi
world may resemble what has happened in Marathi-literature thirty
years ago. This presentation, starting from the perception of The
Pariah in a German ballade written by Johann Wolfgang von Goethe
early in the 19th century, will relate to the following indicators
of a recent blossoming, and mainstreaming of Hindi Dalit literature,
parallel to political processes of representation coined by Christophe
Jaffrelot culminating in a silent revolution:
- the publication of Hindi-Dalit literature and literary analysis
relating to Dalit-issues in the most important literary Magazine
Hans (published by Rajendr Yadav) since about 1995 and other magazines
(like Katha, Desh), the growing number of Dalit sahitya special
issues growing size and the creativity of the corpus of prose literature
of this genre, particularly in the field of kahani
- the publication of at least four literary autobiographies,
starting with Mohandas Naimishray‚s apne apne pinjre1995
(part 1)
- the publication of a Dalit sahitya annual bulletin by Jayprakash
Ka dam since 1999
- the publication of several volumes of poetry collections by
diverse authors (for example from prominent authors like Syauraj
Singh Bechain, Rajat Rani and Sudesh Tanvir)
- the publication of the literary magazine Apeksha under the editorship
of Tejsimh since October 2002
- the publication of at least one important novel Chappar by Jay
Prakash Kardam in 1994 (revised edition:03)
- the discourse on Dalit identity and the recovery of the nirgun
bhakti tradition in Hindi literature, particularly relating to
sant and the search of a forgotten string of the history of religions
in India going back as far as pre-vedic religion by Rajdev Simh
and the Ajivika religion by Dharmvir
Academic scholars started to perceive the riches
of classical Sanskrit and its literature and the relation between
India and Europe through this language and the culture it once incorporated.
The image of the untouchable as a backward, and at the same time
an illiterate or at least less educated person, as somebody ascribed
to and stubbornly absorbed by a subaltern manual occupation, perceived
as his traditional and original profession according to some kind
of dharma, is still dominating.
Paper Giver 2: Sarah
Bethuf, Cambridge University, UK
Paper 2 Title: Dalit
Autobiographies in Hindi: the transformation of pain into resistance
Paper Abstract: Dalit literary assertion
in Hindi has been of recent origin when compared to the origin of
Dalit literature in Maharashtra. However, since the early 1980s,
Dalit literature, including autobiographies, short-stories, intellectual
debates, literary criticism, and popular booklets, have been expanding
with impressive momentum in the Hindi belt. This paper seeks to
look more closely at one of the most important forms of Hindi Dalit
literature ˆ Dalit autobiography. It first asks, what is the
meaning of autobiography in Dalit literature ? How do Dalit autobiographies
differ from other autobiographies, and how does the narrative agenda
within the autobiography form an anti-caste narrative ? Secondly,
this paper seeks to dissect threadbare Dalit autobiographies‚
engagement with identity politics in an attempt to understand the
kind of Dalit identity asserted in these autobiographies as well
as the boundaries of these identities. Lastly, this paper will show
that Dalit autobiographies represent an attempt to assert a new
form of socio-historical narrative ˆ regarding both Dalit socio-cultural
traditions as well as the history of the larger Dalit assertion
movement ˆ into the mainstream narrative of the nation.
Paper Giver 3: Usha
Rani Bansal, Banaras Hindu University, India
Paper 3 Title: –
Paper Abstract: Indian social polity
consists of four varanas (castes). In the hierarchy of varanas,
dalits are the lowest in the ladder. Their condition was very deplorable
and pathetic beyond imagination. In the 20th century when India
was swept by renaissance and the new wave of awakening, the dalits
also saw a new dawn. They became conscious of their shockingly bad
and inhumane living conditions. A dalit from the state of Bihar
in Northern India wrote a peom ŒAchut ki shikayat‚ (meaning
complaint of an untouchable) in local dialect bhojpuri. It was published
in 1914 A.D. in a leading magazine Saraswati. This poem is regarded
as the first subaltern poem written by a subaltern himself. The
poem not only gave a picturesque idea of the conditions of dalits
but also reflects the socio-economic and political environment of
the country. The focus of the paper shall be to examine the conditions
of the subalterns in India in the light of the poem written by Hira
Dome.
Paper Giver 4: Jugal
Kishore Mishra, Post-Doctoral scholar and Reader in political
science
B.J.B.Jr college, Utkal University, Bhubaneswar, Orissa, India
Paper 4 Title: A Critical study
of Dalit Literature in India
Paper Abstract : Dalit (oppressed or broken) is
not a new word. Apparently, it was used in the 1930s as a Hindi
and Marathi translation of depressed classes‚ a term the British
used for what are now called the Scheduled Castes. In 1070s the
ŒDalit Panthers‚ revived the term and expanded its reference
to include scheduled tribes, poor peasants, women and all those
being exploited politically, economically.
The Primary motive of Dalit literature is the liberation of dalits.
Dalit struggle against caste tradition has a long history. The 12th
century Dalit saint Kalavve challenged the upper castes in the following
words:
• Those who eat goats, foul and tiny fish:
Such, they call caste people.
Those who eat the Sacred Cow
That showers frothing milk for Shiva:
Such, they call outcastes.
In modern times, because of the legacy of Mahatma Phule and Babarao
Ambedkar, Dalit literature got impetus in Maharastra.; But before
the name came into being in the 1960s, such people as Baburao Bagul,
Bandhu Madhav, Shankarao kharat were already creating Dalit literature.
These Dalit youths found inspiration in the movement of blacks in
the distant land of North America; their black literature and Black
Panther became the role models of sorts for them.
Poems, short stories, novels and autobiographies written by Dalit
writers provided useful insights on the question of Dalit identity.
Now the subaltern communities found a new name by coming together
with the perspective ŒDalit is dignified‚ thereby rejecting
the sub-human status imposed on them by the Hindu social order.
While dealing with the trends of Dalit literature, there has been
an humble attempt to point out the core issues of its ideology.
In this context it can be said that Dalit literature questioned
the mainstream literary theories and upper caste ideologies and
explored the neglected aspects of life. This Œanubhava‚
(experience) takes precedence over Œanumana‚ (speculation).
Thus to Dalit writers, history is not illusionary or unreal as Hindu
metaphysical theory may make one to believe. That is why authenticity
and liveliness have become hallmarks of Dalit literature.
Thus the contribution of Dalit literature has been immense:
i) First and foremost, it effectively threatened the Brahmanic
hegemony from literature.
ii) Second, it conscientiously aroused Dalit masses for assertion,
protest and mobilization.
iii) Third it stirred up thinking in Dalit intellectuals and catalyzed
creation of organic intellectuals of Dalits
However, in the context of the increasing significance of Dalit
literature there is a great need to address major theoretical
issues connected with it. The important questions that will be
addressed in this paper are the following.
i) How far and in what measure the Dalit writings have transformed
the full dimension of the cruelties and humiliation they had suffered
into literacy expression and experience?
ii) What are the similarities and differences between the efflorescence
of Dalit literature in different languages ?
iii) How have the Dalit writings extended the scope of mainstream
literature in terms of content?
iv) Where do the present trends in Dalit literature lead to ?
v) Are Dalit writings falling into a stereotype?
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Last updated
2006-01-27